Where did these songs come from? Well, after working in the Nashville
songwriting business for fourteen years, I took a sabbatical from 1998-2001. I'd grown tired of
writing the "radio-friendly" commercial songs with their twisted cliches.
During the winter months of 2001, I began to write again. I was only willing
to take pen in hand to speak the truth from my heart. In the spring, I began to collaborate with
recording artist/songwriter ("Angels Among Us") Becky Hobbs on a project based on the life of Nancy
Ward, "Last Beloved Woman of the Cherokees". Becky is a descendent of this respected woman who lived
in the latter half of the 18th century and into the next. They say that when she (born "Wild Rose")
died, a light arose from her body, became a bird and flew out the door of the cabin. Anyway, Becky
and I wrote a song or two and, when we put the project on the back burner for awhile, I couldn't
stop writing. I am part Native Canadian and I continued to focus on First Nation themes. "Storyteller"
was written at this time. It soon gained recognition nationally as a poem.
Then, in late August, I attended a workshop in Rhinebeck, New York, with
don Miguel Ruiz, author of the best-selling book, "The Four
Agreements." Dawn and I had been working at
The Ranch in the treatment of addictions.
Don Miguel was accompanied by doña Rita Rivera and doña Sheri Rosenthal.
I came expecting nothing and left with everything. I had been taking things
personally, assuming the role of victim and living in a state of constant reaction.
I was creating my own suffering. I was a victim of myself. I learned that I alone
am responsible for whether I am happy or not, that I can shine as brightly as I choose.
For too long I had allowed resentments to cloud my vision. I made the decision to
let them go. I buried the old story and began a new one. I chose to again look at
the world with the eyes I was born with.
Back in Tennessee, the process continued. Inspiration was everywhere I
looked, both outside and within. As I wrote, red-tailed hawks circled and hummingbirds were
ever present. Great-horned owls crossed my path at night, reminding me of transformation.
At times, I did not know where the lyrics came from. All I could do was feel humbled
and thank the Creator for letting me hold the pen. My friend, Roberto Paez, suggested
that perhaps my purpose here is to be a messenger. Long ago, when I was eighteen, I
had considered the idea but, however hopeful and altruistic I was in those younger
days, I had no message. And so that dream slept for a long, long time. These songs
represent an awakening. They are about healing and loving and dying and living in
the moment with faith and gratitude. They are not written for accolades. They say
what they say, they are what they are. You may like them or dislike them. You are
welcome to feel whatever you wish. I simply take my joy in delivering them.
I wish you love, peace and light,
- James
Liner Notes
Special thanks to Bill Evarts for hearing in my music what I could no longer hear
myself; to John Carter Cash for coaxing me back into the studio; to Becky Hobbs,
descendent of Nancy Ward, last beloved woman of the Cherokees, for igniting my
imagination; to Duane Sciacqua for the sound advice; to the noteworthy musicians
for being in tune with my intent; to Jim Rosen for teaching me to paint the light;
to don Miguel Ruiz, author of the "Four Agreements", for awakening a sleeping heart;
to all the mirroring mentors who share the dream and remind me to live in the moment;
I also send my love and gratitude to Dawn, my beloved, for playing angel's advocate
during the production of this project. And, last but not least, I wish to thank my
Creator for the breath of inspiration. If you whisper it, I will write it. -James
The Players
1. "Don't Take It Personally"
(Words & Music by James Nihan)
James: vocals, acoustic guitar
Dawn Zurlinden: vocal
Duane Sciacqua: acoustic lead guitar
Brian Hinchliffe: bass
Kevin Ball: djembe
2. "Storyteller"
(Words & Music by James Nihan)
James: vocals, acoustic guitar
Dawn Zurlinden: vocal
Brian Hinchliffe: bass
Rich Adams: djembe, shaker
3. "Sacred Hoop"
(Words & Music by James Nihan)
James: vocals, acoustic guitar, Native American flute
Duane Sciacqua: electric guitar
Brian Hinchliffe: bass
Rich Adams: sharkskin dumbek, rainstick and other percussion
Dawn Zurlinden: djembe, shaker
4. "I Am An Artist"
(Words & Music by James Nihan)
James: vocal, acoustic guitar
Dawn Zurlinden: synthetic string arrangement, finger cymbal
Brian Hinchliffe: bass
Rich Adams: djembe, cymbal
5. "Love or Fear"
(Words & Music by James Nihan and Dawn Zurlinden)
James: vocal, acoustic guitars
Dawn Zurlinden: vocal,
Gary Tussing: cello
Duane Sciacqua: bass
Rich Adams: djembe, cymbals, windchimes
6. "Flying"
(Words & Music by James Nihan)
James: vocal, acoustic guitar
Dawn Zurlinden: vocal
Larry Stephenson: mandolin
Brian Hinchliffe: bass
Kevin Ball: djembe
7. "I Am"
(Words & Music by James Nihan and Dawn Zurlinden)
James: vocal, acoustic guitars, Native American flute
Brian Hinchliffe: bass
Kevin Ball: djembe
8. "The Angel of Death"
(Words & Music by James Nihan)
James: vocal, acoustic guitar, harmonica
Duane Sciacqua: acoustic lead guitar
Brian Hinchliffe: bass
Kevin Ball: djembe
9. "A Ray of Light"
(Words & Music by James Nihan)
James: vocal, acoustic guitars
Dawn Zurlinden: steel drum
Brian Hinchliffe: bass
Kevin Ball: djembe
10. "Sister Mitote"
(Words & Music by James Nihan)
James: vocal, acoustic guitars
Gary Tussing: cello
Rich Adams: percussion
Dawn Zurlinden: tambourine
11. "don Miguel"
(Words & Music by James Nihan)
James: vocals, acoustic guitar
Duane Sciacqua: electric guitar
Brian Hinchliffe: bass
Gantt Kees: drums, tambourine, shaker
12. "Golden Eagle"
(Words & Music by James Nihan)
James: vocal, acoustic guitar, harmonica, Native American flute
Brian Hinchliffe: bass
Kevin Ball: djembe
Red-tail Hawk: eagle
The Wind: itself
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